No helpers or magical elves. Not even any child labor (yet! they're still a little too young to do anything other than request certain color combinations, shapes or designs).
I dip the mandrels. I melt the glass. I wind the beads onto the mandrels. I stick them in the kiln. I take them out the next morning. I twist and tug and pull the beads off the mandrels. I grind my teeth and then twist and tug and pull some more. I clean them out with my speedy dremel. I take the pics with my digital camera and then crop & edit each pic. And then I list them in my Etsy shop. All for your viewing and buying pleasure.
I'm not complaining. This. Is. What. I. LOVE. To. Do. :)

And this is where it happens. My studio; that I love so much and that I moved into in Sept 2008 after spending several summers sweating buckets and winters freezing under multiple layers of clothes & goose-down comforters in the garage. My Mega-Minor Burner torch is at the workstation closest to the window on the left, which is also closest to my fan/ventilation hidden behind the green square box on the wall. I have a second Minor Burner torch at the work station on the right. An oxygen concentrator is tucked away in the footspace under each torch station. And hoses run from the torches through the wall to my backyard where the propane tank is housed safely outside.
I've got great overhead lighting mounted under the top cabinets so I can see what I'm doing at the torch. Sooooo much better than the dismal lighting I had in the garage! Mandrels are standing upright in that wooden block in the center of the counterspace.

Here is my glass cabinet. Front, center & easy to reach for a midget like me....it's the floor cabinet so no tip-toe reaching or counter climbing to get to the most important stuff! Bottom shelf has German glass, filigrana (clear rods with cores of color shooting through the middle) and stringers (really thin rods of glass). First shelf up from the bottom is strictly transparent rods of Italian glass. Second shelf up is nothing but opaque rods of Italian glass. Next shelf is more German glass. And the top shelf which you can barely see is filled with soft glass from China. So many colors and not enough time to play & create! Special pliers & smashers hang from the insides of the doors.

Here is a more current view of part of my workstation. Glass rods still on the counter from my last glass shipment that either haven't found a home yet in the glass cab or I'm still playing with the cool new colors. Like the Elphaba greens :) Little jars are on the back shelf, filled with all kinds of frit combinations. Rods of either half-used glass of unknown colors or 'cool' bonus colors stand upright in jars next to my large mandrels, a color wheel, the
Southern Flames 2008 postcard, the necklace I won at our beadswap meeting hangs from my torch deflector. And my iPod nano & docking station Todd got me for my birthday....very important to have good tunes for jammin at the torch :)

And a view into one upper cabinet that is organized enough to share. Mostly shipping supplies where they are nicely stacked, but normally out-of-sight when the doors are shut.

I really can not thank my husband enough for supporting my fire-playing hobby and being super-cool about me moving my studio inside the house. Of course, there was a perk in it for him....for the first time since we moved into this house in 2005, he can now park his car in the garage. That alone may have been worth the cost of constructing my studio for him :)